CANDID project - collaboration


CANDID is made of Tania Batzoglou and Vanio Papadelli, two Greek female artists who met in London. In 2013 they gave a promise - to present every year a performance iteration of CANDID based on how their relationship evolves over time. CANDID has become since a performance ritual that celebrates long lasting friendships and has been presented as live performance, installation, film and multimodal writing.
CANDID is a collaborative project born out of common experiences that generated shared references but also potential seeds of competition. It unfolds as a ‘truth or dare’ game - dangerous, revealing and rewarding - that weaves the stories of two women who candidly deconstruct and reinvent themselves through movement, words, touch and metaphor.
CANDID is a collage not only of our friendship but also a palimpsest of stories by other women we’ve met, sensed, imagined, read or heard about, which keeps growing and gaining layers of complexity. The real, the mythical and the imaginary are reflected and merged, unveiling and blending memories and stories - both personal and collective.
CANDID questions friendship as it raises issues of identity, sustainability, transience and commitment, at times as a shout at times as a subtle allusion. Can female friendship be reimagined as a creative, intelligent and inquisitive practice that defies stereotypes? Can female friendship be radical?








Photos Yiannis Katsaris
CANDID at Blue Elephant Theatre 2016
Devised and Performance Tania Batzoglou & Vanio Papadelli
Set & Costume Design Moi Tran
Lighting Design/Video Yiannis Katsaris
Dramaturgical advice Mary Ann Hushlak
Trailer Music Yurek Tyndorf
CANDID 2013-today:
LONDON: GREENHOUSE CAFE performance installation
TWOFOLD platform, BIRKBECK University (London)
ImpFest (London)
THE LION AND THE UNICORN THEATRE
(GOlive-GOlab platform)London Buddhist Arts Centre
ANTIPA Gallery (London)
EILISSOS (Athens)
Blue Elephant Theatre (London)
CANDID (contemplative film by Yue Wang)
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Video by Yiannis Katsaris
'I found the closing scene extremely emotional and satisfying. The videos produced a beautiful visual canvas upon which the dialogue took an ethereal dimension' (audience member)
'...poetic...mesmerising...universal' (M.A., audience member)
'Your performance left me emotionally paralysed. I was thinking about it all night, it was so honest and so brave...and I am not even sure if brave is the right word for the way you exposed yourselves. It reminded the books of Elena Ferrante.' Emma Bennett (audience member)
'The rejection of theatrical conventions and the pair’s bold use of body language have a cathartic outcome and I ended up relating both to them and and to the discomfort their relationship caused them. Towards the end of the performance I enjoyed watching the pair spit accusations at one another, especially as this became physical, with the help of some melons and lemons. Where the narrative went astray, symbolism filled in the gaps and took centre stage.' Review by Marianna Meloni, Everything Theatre, 17 Dec 2016
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